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Random information on the term “Actor”:
Classical acting is a type of acting that is based on the theories and systems of select classical actors including Konstantin Stanislavski and Michel Saint-Denis, including the expression of the body, voice, imagination, personalizing, improvisation, external stimuli, and script analysis.
The origin of classical acting stems from an acting system created by Russian actor and director Konstantin Stanislavski who rose to prominence in the late 1800s and early 1900s. His system was that of both script analysis and personal exploration to find “the truth” of a part—or rather what would be truthful to the actor portraying the part. The precise system was based on having an expressive and responsive body to relay detailed and nuanced character portrayals, as well as addressing the creation of an inner life. Stanislavski’s theories were published in the translated 1936 book An Actor Prepares. The training included:
Another influential theorist of classical acting in the early-to mid-1900s was Michel Saint-Denis, a French actor and theater director who founded The London Theatre Studio and dedicated much of his career to experimental theatre. He incorporated many of Stanislavski’s techniques into his teaching, as well as improvisation and sense memory, seeking a balance between external and internal techniques. Actors Alec Guinness, Jessica Tandy, and Laurence Olivier were some of his first students. Later on, he developed a training model that was incorporated by many university drama programs.